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  • Lock down in Paris
    France
    Kamila Stepien
    LePictorium_0227864.jpg
    containment against the spread of covid-19 coronavirus in France.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217638.jpg
    Trainee journalists take charge of their colleague who has to simulate various problems following an explosion. The management of the victims follows an established protocol which makes it possible to hierarchize the wounds and to act as consequences. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217639.jpg
    The instructor makes up one of the trainee journalist who must play the role of the injured during the rescue simulation exercise in danger zone. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217640.jpg
    One of the trainee journalists evacuates one of his colleagues, who plays the victim, pulling him by the bulletproof vest. To maintain a state of stress, an instructor fires a real bullet. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217641.jpg
    One of the trainee journalists evacuates one of his colleagues, who plays the victim, pulling him by the bulletproof vest. To maintain a state of stress, an instructor fires a real bullet. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217642.jpg
    The instructors monitor the care and adapt the state of the pseudo victim according to the actions undertaken by the trainee. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217643.jpg
    Trainee journalists take charge of their colleague who has to simulate various problems following an explosion. The management of the victims follows an established protocol which makes it possible to hierarchize the wounds and to act as consequences. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217644.jpg
    One of the trainee journalists sets up a turnstile to stop the bleeding from a massive bleeding. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217645.jpg
    The instructors monitor the care and adapt the state of the pseudo victim according to the actions undertaken by the trainee. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217646.jpg
    One of the trainee journalists observes if the airways are not obstructed. The management of the victims follows an established protocol which makes it possible to hierarchize the wounds and to act as consequences. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217647.jpg
    One of the trainee journalists places a valve on a blowing wound. The management of the victims follows an established protocol which makes it possible to hierarchize the wounds and to act as consequences. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217648.jpg
    Trainee journalists watch from afar their practicing colleague. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217649.jpg
    Makeup case to simulate the different wounds that will be placed on the trainee victim. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217650.jpg
    Two trainee journalists rush out of a firing range or take place the simulation exercise intervention in dangerous area. They have to go and pick up a colleague who plays the injured person. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217651.jpg
    Trainee journalists take charge of their colleague who has to simulate various problems following an explosion. The management of the victims follows an established protocol which makes it possible to hierarchize the wounds and to act as consequences. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217652.jpg
    Trainee journalists observe their colleagues in office. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217653.jpg
    Trainee journalists take charge of their colleague who has to simulate various problems following an explosion. The management of the victims follows an established protocol which makes it possible to hierarchize the wounds and to act as consequences. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217654.jpg
    Trainee journalists take charge of their colleague who has to simulate various problems following an explosion. The management of the victims follows an established protocol which makes it possible to hierarchize the wounds and to act as consequences. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217655.jpg
    One of the trainee journalist puts a bandage (Israeli bandage) on a colleague. A tourniquet (TQ) has also been installed on the arm. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217635.jpg
    Bulletproof vests and "Press" ballistic helmets are stowed on the ground before the simulation exercise. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217636.jpg
    A trainee journalist is lying on the ground of a shooting range or the simulation exercise of intervention in danger zone. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Workshop Le Manoir Bayeux
    France
    Michael Bunel
    LePictorium_0217637.jpg
    Training for war zone. October 11, 2019. Bayeux, France .. Training is a prerequisite to work with France 24, RF1 or ARTE on so-called dangerous areas.
  • Yellow Vests - Act 10
    France
    Laurent Paillier
    LePictorium_0198575.jpg
    For this tenth Saturday of mobilization of the Yellow Vests in Paris the procession walked between the Place d'Italie and Les Invalides in homage to the demonstrators wounded and mutilated by the police since the beginning of the movement.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198140.jpg
    Bamako, Mali. Moussa Kalapo cleans negatives, first stage in the archiving process before digitization and cataloging, and repackaging the archives of Malian photographers.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198141.jpg
    Bamako, Mali.Cleaning negatives, first floor in the archiving process before digitization and cataloging, and repackaging the archives of Malian photographers.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198142.jpg
    Bamako, Mali. Negatives once cleaned are placed in a small envelope and referenced before being scanned.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198143.jpg
    Bamako, Mali. Negatives once cleaned are placed in a small envelope and referenced before being scanned.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198144.jpg
    Bamako, Mali. Moussa Kalapo carefully arranging the negatives on the scanner.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198145.jpg
    Bamako, Mali. Operation in progress to scan the negatives and get the resulting pictures on the screen.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198146.jpg
    Bamako, Mali. Once scanned, the photographs corresponding to the negatives are trimmed one by one in order to work on a single image.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198147.jpg
    Bamako, Mali. Once scanned, the references of the photograph, the author, the year, and a description of the photo are written on the envelope.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198148.jpg
    Bamako, Mali. Once scanned, the references of the photograph, the author, the year, and a description of the photo are written on the envelope. The envelope is then put in a box, it even numbered and indicating the number of negatives inside. (Here on the right, Box of Adama Kouyaté containing 380 negatives). NEH being the name of the project and the American curator. (National Endowment for the Humanities)
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198149.jpg
    Bamako, Mali. Once scanned, the references of the photograph, the author, the year, and a description of the photo are written on the envelope. The envelope is then put in a box, itself numbered.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198150.jpg
    Bamako, Mali. Moussa Kalapo, photographer of the Photographic Training Center of Bamako, is employed on the archiving project then proceeds to fill in an Excel table of all the information that the photography can provide. (Collection, Name of the photographer, Year, description, format, ect ..)
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198151.jpg
    Bamako, Mali. Boxes containing the original negatives. Some photographers have been able to keep and archive dozens see hundreds of thousands of negatives during their career. Here, we can see that the negatives were stored in an envelope each day. (Eg negatives of July 19, 1978)
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198152.jpg
    Bamako, Mali. An audit is performed by the employee to ensure that the scan meets the negative.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198153.jpg
    Bamako, Mali. View on a computer screen of a number of scanned negatives of photographer Tijani Sitou.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198154.jpg
    Bamako, Mali. Last step of archiving, translation. Here, the translator first ensures that the description in French corresponds to the photograph, and then itself will translate the various elements previously described in the Excel table. This stage of translation was realized thanks to 5 translators from the Ecole Normale Supérieure of Bamako. (ENSUP), as well as the work of preservation and digitization, which was carried out by Malian photographers from the Bamako Photographic Training Center (CFP) or son of photographers involved in archiving.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198155.jpg
    Bamako, Mali. Last step of archiving, translation. Here, the translator first ensures that the description in French corresponds to the photograph, and then itself will translate the various elements previously described in the Excel table. This stage of translation was realized thanks to 5 translators from the Ecole Normale Supérieure of Bamako. (ENSUP), as well as the work of preservation and digitization, which was carried out by Malian photographers from the Bamako Photographic Training Center (CFP) or son of photographers involved in archiving. The archive of the Malian photograph gives access to the preserved and digitized collections of five of the best photographers of Mali. Since 2011, a team of American curators, in collaboration with those in Mali, have been cleaning, digitizing, cataloging and repackaging about 100,000 negatives from the photographers' archives (Mamadou Cisse, Adama Kouyaté, Abdourahmane Sakaly, Malick Sidibé and Tijani Sitou) for preservation. and sustainable access.
  • Archive of Malian Photography
    Mali
    Nicolas Réméné
    LePictorium_0198156.jpg
    Bamako, Mali. Moussa Kalapo cleans negatives, first stage in the archiving process before digitization and cataloging, and repackaging the archives of Malian photographers. The archive of the Malian photograph gives access to the preserved and digitized collections of five of the best photographers of Mali. Since 2011, a team of American curators, in collaboration with those in Mali, have been cleaning, digitizing, cataloging and repackaging about 100,000 negatives from the photographers' archives (Mamadou Cisse, Adama Kouyaté, Abdourahmane Sakaly, Malick Sidibé and Tijani Sitou) for preservation. and sustainable access.
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